A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 3
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of " imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
... theory is the rela- tion of art to nature . In the history of Western thought , the two most influential treatments of this theme are the theory of " imitation , " enunciated by Plato and Aristotle , and the theory of " imagination ...
Pagina 306
... theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in esthetics ; the modern theory of signs , in proportion as it is more precise and elaborate , should be able to make clear the ...
... theory of signs . Thus the approach to art as a form of discourse is an ancient and common heritage in esthetics ; the modern theory of signs , in proportion as it is more precise and elaborate , should be able to make clear the ...
Pagina 579
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , “ Bergson's Theory ...
... Theory of Comedy , " Studies in Recent Aesthetic , Chapel Hill , 1927 . Hope , Richard , " Laughter and the Comic : A Critique of Berg- son's Theory of the Comic , " Psyche , January , 1927 , pp . 72-85 . Hulme , T. E. , “ Bergson's Theory ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole