A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 241
... things , and are thought and imagined by us as qualities and properties of the things . Especially we see this in music . Here we have an art entirely made up of a material - musical tone - which one may say does not exist at all in the ...
... things , and are thought and imagined by us as qualities and properties of the things . Especially we see this in music . Here we have an art entirely made up of a material - musical tone - which one may say does not exist at all in the ...
Pagina 333
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance . . . . And if a more or less uncon- scious apprehension of this latent reality of material ...
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance . . . . And if a more or less uncon- scious apprehension of this latent reality of material ...
Pagina 390
... things . Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the uni- verse . Whenever we want to grasp one piece of the world , science takes it out of our hand ...
... things . Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the uni- verse . Whenever we want to grasp one piece of the world , science takes it out of our hand ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words