A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 75
... thought . The difference between the pictures of different painters is due quite as much to differences of capacity to carry on this thought as it is to differences of sensitivity to bare color and to differences in dexterity of ...
... thought . The difference between the pictures of different painters is due quite as much to differences of capacity to carry on this thought as it is to differences of sensitivity to bare color and to differences in dexterity of ...
Pagina 189
... thoughts by words , every man may know all that has been done for him in the realms of thought by all humanity before his day , and can , in the present , thanks to this capacity to understand the thoughts he has assimilated from others ...
... thoughts by words , every man may know all that has been done for him in the realms of thought by all humanity before his day , and can , in the present , thanks to this capacity to understand the thoughts he has assimilated from others ...
Pagina 218
... thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior to the artifice of thought ...
... thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior to the artifice of thought ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words