A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 320
... tion for a butterfly or a flower that he feels for a cathedral or a picture ? Surely , it is not what I call an esthetic emo- tion that most of us feel , generally , for natural beauty . I shall suggest , later , that some people may ...
... tion for a butterfly or a flower that he feels for a cathedral or a picture ? Surely , it is not what I call an esthetic emo- tion that most of us feel , generally , for natural beauty . I shall suggest , later , that some people may ...
Pagina 347
... tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or versification , is both ...
... tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or versification , is both ...
Pagina 502
... tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard . That question , indeed , is hardly ever ...
... tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard . That question , indeed , is hardly ever ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words