A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 320
... tion for a butterfly or a flower that he feels for a cathedral or a picture ? Surely , it is not what I call an esthetic emo- tion that most of us feel , generally , for natural beauty . I shall suggest , later , that some people may ...
... tion for a butterfly or a flower that he feels for a cathedral or a picture ? Surely , it is not what I call an esthetic emo- tion that most of us feel , generally , for natural beauty . I shall suggest , later , that some people may ...
Pagina 347
... tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or versification , is both ...
... tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or versification , is both ...
Pagina 502
... tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard . That question , indeed , is hardly ever ...
... tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard . That question , indeed , is hardly ever ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole