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Pagina 320
Does any one feel the same kind of emo- tion for a butterfly or a flower that he feels for a cathedral or a picture ? Surely , it is not what I call an esthetic emo- tion that most of us feel ...
Does any one feel the same kind of emo- tion for a butterfly or a flower that he feels for a cathedral or a picture ? Surely , it is not what I call an esthetic emo- tion that most of us feel ...
Pagina 347
And apart from that ques- tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or ...
And apart from that ques- tion , of course , I am not denying the usefulness and neces- sity of the distinction . We cannot dispense with it . To consider separately the action or the characters of a play , and separately its style or ...
Pagina 502
... out any way of answering this ques- tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard .
... out any way of answering this ques- tion otherwise than arbitrarily and dogmatically , i.e. , other- wise than in terms of the taste actually possessed by some person or other , usually oneself , arbitrarily taken as stand- ard .
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |