A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 101
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
... true or false , asks a ques- tion that is without meaning , and commits an error analo- gous to his who should bring the airy images of the fancy before the tribunal of morality : without meaning , because the discrimination of true and ...
Pagina 109
... true in- tuition , true representation , from that which is inferior to it : the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify ...
... true in- tuition , true representation , from that which is inferior to it : the spiritual fact from the mechanical , passive , natural fact . Every true intuition or representation is also expres- sion . That which does not objectify ...
Pagina 292
... true and false alike do of course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not ...
... true and false alike do of course constantly touch off attitudes and action . Our daily practical ex- istence is largely guided by them . On the whole true statements are of more service to us than false ones . None the less we do not ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words