A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina xxviii
... truth " so conceived . But if by " truth " we mean an appreciation socially com- municable , art does indeed contain truths . The " truth " crudely expressed in the hobo song is also social ; it has been felt by many hoboes ; it appeals ...
... truth " so conceived . But if by " truth " we mean an appreciation socially com- municable , art does indeed contain truths . The " truth " crudely expressed in the hobo song is also social ; it has been felt by many hoboes ; it appeals ...
Pagina 18
... truth ; in that sense the great phrase of the Platonists , splendor veri , abides for ever . But if the joy produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of ...
... truth ; in that sense the great phrase of the Platonists , splendor veri , abides for ever . But if the joy produced by a work of beauty proceeds from some truth , it does not proceed from the truth of imitation as a reproduction of ...
Pagina 199
... Truth and realism are there- fore esthetically good , but they are not all - sufficient , since the representation ... truth in science and in art . Science is the response to the demand for information , and in it we ask for the whole ...
... Truth and realism are there- fore esthetically good , but they are not all - sufficient , since the representation ... truth in science and in art . Science is the response to the demand for information , and in it we ask for the whole ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words