A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 157
... turning - away from immediate environment — that could be secured by sitting in a quiet study , without dis- turbance ... turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
... turning - away from immediate environment — that could be secured by sitting in a quiet study , without dis- turbance ... turn towards those parts of external reality of which the words are symbols . Ordinarily we see , hovering behind ...
Pagina 504
... turn out to be sensations and images stimulated by the external object or associated with it . The human body and the boundaries of the body are accord- ingly prominent features in this type of criticism , for the values are conceived ...
... turn out to be sensations and images stimulated by the external object or associated with it . The human body and the boundaries of the body are accord- ingly prominent features in this type of criticism , for the values are conceived ...
Pagina 543
... turn aside the triumphant march of War Commercial before it reaches the end . That is what three centuries of Commerce have brought that hope to , which sprang up when feudalism began to fall to pieces . What can give us the dayspring ...
... turn aside the triumphant march of War Commercial before it reaches the end . That is what three centuries of Commerce have brought that hope to , which sprang up when feudalism began to fall to pieces . What can give us the dayspring ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words