A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 56
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
... unity ; unity of some kind is necessary for our restful contempla- tion of the work of art as a whole , since if it lacks unity we cannot contemplate it in its entirety , but we shall pass outside it to other things necessary to ...
Pagina 57
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
... unity . Such a successive unity is of course familiar to us in literature and music , and it plays its part in the graphic arts . It depends upon the forms being presented to us in such a sequence that each successive element is felt to ...
Pagina 64
... unity that gives it its name , that meal , that storm , that rupture of friendship . The existence of this unity is constituted by a single quality that pervades the entire experience in spite of the variation of its con- stituent parts ...
... unity that gives it its name , that meal , that storm , that rupture of friendship . The existence of this unity is constituted by a single quality that pervades the entire experience in spite of the variation of its con- stituent parts ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole