A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 59
... universal in its application to life ; our feeling about inclined planes is connected with our necessary judgments about the conformation of the earth itself ; light again , is so necessary a condition of our existence that we become ...
... universal in its application to life ; our feeling about inclined planes is connected with our necessary judgments about the conformation of the earth itself ; light again , is so necessary a condition of our existence that we become ...
Pagina 101
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
... universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God , is everywhere and animates all things with itself , but we deny that the universal is rendered logically ...
Pagina 330
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words