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Pagina 59
tions which accompany muscular activity ; mass to all the infinite adaptations to the force of gravity which we are forced to make ; the spatial judgment is equally profound and universal in its application to life ; our feeling about ...
tions which accompany muscular activity ; mass to all the infinite adaptations to the force of gravity which we are forced to make ; the spatial judgment is equally profound and universal in its application to life ; our feeling about ...
Pagina 101
It is useless to object that the individuality of the image cannot subsist without reference to the universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God ...
It is useless to object that the individuality of the image cannot subsist without reference to the universal , of which that image is the individuation , because we do not here deny that the universal , as the spirit of God ...
Pagina 330
It is the mark of great art that its appeal is universal and eternal . Significant form stands charged with the power to provoke esthetic emotion in any one capable of feeling it . The ideas of men go buzz and die like gnats ...
It is the mark of great art that its appeal is universal and eternal . Significant form stands charged with the power to provoke esthetic emotion in any one capable of feeling it . The ideas of men go buzz and die like gnats ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |