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Pagina 59
tions which accompany muscular activity; mass to all the infinite adaptations to
the force of gravity which we are forced to make; the spatial judgment is equally
profound and universal in its application to life; our feeling about inclined planes
is ...
tions which accompany muscular activity; mass to all the infinite adaptations to
the force of gravity which we are forced to make; the spatial judgment is equally
profound and universal in its application to life; our feeling about inclined planes
is ...
Pagina 101
It is useless to object that the individuality of the image cannot subsist without
reference to the universal, of which that image is the individuation, because we
do not here deny that the universal, as the spirit of God, is everywhere and
animates ...
It is useless to object that the individuality of the image cannot subsist without
reference to the universal, of which that image is the individuation, because we
do not here deny that the universal, as the spirit of God, is everywhere and
animates ...
Pagina 330
It is the mark of great art that its appeal is universal and eternal." Significant form
stands charged with the power to provoke esthetic emotion in any one capable of
feeling it. The ideas of men go buzz and die like gnats; men change their ...
It is the mark of great art that its appeal is universal and eternal." Significant form
stands charged with the power to provoke esthetic emotion in any one capable of
feeling it. The ideas of men go buzz and die like gnats; men change their ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |