A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 249
... variation in sound . For these are equally conditions , though less strikingly characteristic conditions , of musical structure . The relation louder - than , with its converse , softer - than , is a relation establishing for all sounds ...
... variation in sound . For these are equally conditions , though less strikingly characteristic conditions , of musical structure . The relation louder - than , with its converse , softer - than , is a relation establishing for all sounds ...
Pagina 250
... variations for hues at all degrees of lightness and darkness from maximum saturation to the neutral grays . This gives us three convenient main dimensions of color variation , all compactly illustrated in the familiar diagram of a ...
... variations for hues at all degrees of lightness and darkness from maximum saturation to the neutral grays . This gives us three convenient main dimensions of color variation , all compactly illustrated in the familiar diagram of a ...
Pagina 367
... variation . This form , too , might seem at first sight to be opposed to evolution , yet not so , for there is probably no case of variation in which the evolutionary element is not present . For the series of variations is not ...
... variation . This form , too , might seem at first sight to be opposed to evolution , yet not so , for there is probably no case of variation in which the evolutionary element is not present . For the series of variations is not ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words