A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 51
... vision abstracted from necessity . Now this specialization of vision goes so far that ordinary people have almost no idea of what things really look like , so that oddly enough the one standard that popular criticism applies to painting ...
... vision abstracted from necessity . Now this specialization of vision goes so far that ordinary people have almost no idea of what things really look like , so that oddly enough the one standard that popular criticism applies to painting ...
Pagina 332
... vision he sees objects , not as means shrouded in associations , but as pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in ...
... vision he sees objects , not as means shrouded in associations , but as pure forms . It is for , or at any rate through , pure form that he feels his inspired emotion . Now to see objects as pure forms is to see them as ends in ...
Pagina 430
... vision goes right through the glass to be fixed upon the flowers and the foliage . Since the goal of vision is the garden , whereupon the visual ray is cast , our glance will penetrate through the glass without stopping to perceive it ...
... vision goes right through the glass to be fixed upon the flowers and the foliage . Since the goal of vision is the garden , whereupon the visual ray is cast , our glance will penetrate through the glass without stopping to perceive it ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words