A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 265
... visual or emotional , abstract or personal , but with many alterations and over- lappings . But fragmentary , fluctuating , and elusive as it was often de- scribed as being , and only in rare cases defining itself as a coherent series ...
... visual or emotional , abstract or personal , but with many alterations and over- lappings . But fragmentary , fluctuating , and elusive as it was often de- scribed as being , and only in rare cases defining itself as a coherent series ...
Pagina 313
... visual arts . He indicates that his doctrine is applicable to music , and indeed he finds in the abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his ...
... visual arts . He indicates that his doctrine is applicable to music , and indeed he finds in the abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his ...
Pagina 317
... visual art , and that this emotion is provoked by every kind of visual art , by pic- tures , sculptures , buildings , pots , carvings , textiles , etc. , is not disputed , I think , by any one capable of feeling it . This emotion is ...
... visual art , and that this emotion is provoked by every kind of visual art , by pic- tures , sculptures , buildings , pots , carvings , textiles , etc. , is not disputed , I think , by any one capable of feeling it . This emotion is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words