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Pagina 235
The simple answer to this question takes us , I believe , to the precise root and
source of the whole principle of esthetic expressiveness . ... We should begin , I
am convinced , from the very simplest facts . Why do artists make different
patterns ...
The simple answer to this question takes us , I believe , to the precise root and
source of the whole principle of esthetic expressiveness . ... We should begin , I
am convinced , from the very simplest facts . Why do artists make different
patterns ...
Pagina 237
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
lute fact all through , and it explains not merely the interpretation of lines and
shapes , but the whole range and working of the esthetic imagination in the
province of fine art , which is its special province . To this doctrine belongs the
very fruitful ...
Pagina 513
For , of course , fusion is not explained by pointing out that the quality of a fusion
is made up of the qualities of the details fused . The whole point about a fusion is
that it results in a quality different from the qualities of any of its constituents .
For , of course , fusion is not explained by pointing out that the quality of a fusion
is made up of the qualities of the details fused . The whole point about a fusion is
that it results in a quality different from the qualities of any of its constituents .
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |