A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 235
... whole principle of esthetic expressiveness . • • We should begin , I am convinced , from the very sim- plest facts ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
... whole principle of esthetic expressiveness . • • We should begin , I am convinced , from the very sim- plest facts ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
Pagina 237
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
Pagina 513
... whole and may end by destroying the esthetic whole . Contextualistic Theory of Perception [ University of California Press . 1942 ) , pp . 120-121 . ) The second exception is of an opposite nature , where through habit vividness is ...
... whole and may end by destroying the esthetic whole . Contextualistic Theory of Perception [ University of California Press . 1942 ) , pp . 120-121 . ) The second exception is of an opposite nature , where through habit vividness is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words