A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 235
... whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very sim- plest facts ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
... whole principle of esthetic expressiveness . . We should begin , I am convinced , from the very sim- plest facts ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
Pagina 237
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
Pagina 513
... whole and may end by destroying the esthetic whole . Contextualistic Theory of Perception [ University of California Press . 1942 ) , pp . 120-121 . ) The second exception is of an opposite nature , where through habit vividness is ...
... whole and may end by destroying the esthetic whole . Contextualistic Theory of Perception [ University of California Press . 1942 ) , pp . 120-121 . ) The second exception is of an opposite nature , where through habit vividness is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole