A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 158
... words which have no rational connection , that is , no nexus through the world of external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction . It breaks down their associations ...
... words which have no rational connection , that is , no nexus through the world of external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction . It breaks down their associations ...
Pagina 159
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute ” can mean a foolish ...
... word ; the other is a story reaction . Because words are few they are what Freud called " over- determined . " One word has many affective associations because it has many " meanings " ( e.g. , the word " brute ” can mean a foolish ...
Pagina 171
... words contain the emotional content " in themselves " and not in the things they symbolized ? Dream analysis gives ... words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry which ...
... words contain the emotional content " in themselves " and not in the things they symbolized ? Dream analysis gives ... words , to pun openly or secretly , to delight in the texture of words . This is part of the technique of poetry which ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words