A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina iv
... Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as ... World , by Alfred North Whitehead , 1925 . Hogarth Press : " The Relation of ... World's Classics " series of Tolstoy's works . The translation is by Aylmer Maude ...
... Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as ... World , by Alfred North Whitehead , 1925 . Hogarth Press : " The Relation of ... World's Classics " series of Tolstoy's works . The translation is by Aylmer Maude ...
Pagina 91
... vision is a lyrical content , the pervasive expression of " feeling ... world desired or abhorred , or partly desired and partly abhorred . If he ... vision in itself , and by its own standard of beauty . Intuition , so interpreted , is ...
... vision is a lyrical content , the pervasive expression of " feeling ... world desired or abhorred , or partly desired and partly abhorred . If he ... vision in itself , and by its own standard of beauty . Intuition , so interpreted , is ...
Pagina 596
... World , New York , 1926 , Chs . 5 , 13 . Wingert , Paul S. , " The Cultural Motivations of an Artist , " College Art ... Vision , New York , 1947 . -- , Vision in Motion , Chicago , 1947 . Moholy - Nagy , Sibyl , Moholy - Nagy ...
... World , New York , 1926 , Chs . 5 , 13 . Wingert , Paul S. , " The Cultural Motivations of an Artist , " College Art ... Vision , New York , 1947 . -- , Vision in Motion , Chicago , 1947 . Moholy - Nagy , Sibyl , Moholy - Nagy ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words