The Arts of the BeautifulScribner, 1965 - 189 pagine |
Dall'interno del libro
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Pagina 69
... Aristotle speaks for the human condition . Aristotle speaks of what any man spontaneously thinks about anything . What d'Alembert said about the arts in his Preface to the Encyclo- pedia is a case in point , for it followed in Aristotle's ...
... Aristotle speaks for the human condition . Aristotle speaks of what any man spontaneously thinks about anything . What d'Alembert said about the arts in his Preface to the Encyclo- pedia is a case in point , for it followed in Aristotle's ...
Pagina 70
... Aristotle . A literal translation would often be devoid of all meaning for us . Where Aristotle speaks of " poetics itself and its species " ( 1447 a8 ) we translate by " poetry " considered as “ the art in general . " Now , in the ...
... Aristotle . A literal translation would often be devoid of all meaning for us . Where Aristotle speaks of " poetics itself and its species " ( 1447 a8 ) we translate by " poetry " considered as “ the art in general . " Now , in the ...
Pagina 73
... Aristotle observes that imitation is pleasing to men be- cause they enjoy learning , and nothing helps us more to learn what things are than to see images representing them . This close union of the natural pleasure of imitating with ...
... Aristotle observes that imitation is pleasing to men be- cause they enjoy learning , and nothing helps us more to learn what things are than to see images representing them . This close union of the natural pleasure of imitating with ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind modern musician nature never Nietzsche notion object ontology operations painter painting Paul Valéry perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark represent Saint sake sculpture seminal form sense sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valéry verse words worship write