The Arts of the BeautifulScribner, 1965 - 189 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 72
... imitation . All these “ imita- tions " ( which today we call the fine arts ) are differentiated by Aristotle in three ways : either the means they use are different , or the objects they imitate are different , or they imitate in ...
... imitation . All these “ imita- tions " ( which today we call the fine arts ) are differentiated by Aristotle in three ways : either the means they use are different , or the objects they imitate are different , or they imitate in ...
Pagina 79
... imitation . Since man does not create but makes , in a sense he necessarily imitates because , directly or indirectly , he borrows from reality the elements of his works , but what turns even an imitation into art is that it is a ...
... imitation . Since man does not create but makes , in a sense he necessarily imitates because , directly or indirectly , he borrows from reality the elements of his works , but what turns even an imitation into art is that it is a ...
Pagina 80
... imitation , and since the re- semblance in such works easily reaches a sufficient degree of accuracy for the objects to be recognizable , they give at least the kind of pleasure one finds in seeing a good imitation . These remarks are ...
... imitation , and since the re- semblance in such works easily reaches a sufficient degree of accuracy for the objects to be recognizable , they give at least the kind of pleasure one finds in seeing a good imitation . These remarks are ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind modern musician nature never Nietzsche notion object ontology operations painter painting Paul Valéry perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark represent Saint sake sculpture seminal form sense sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valéry verse words worship write