The Arts of the BeautifulScribner, 1965 - 189 pagine |
Dall'interno del libro
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Pagina 40
... judgments which in each particular case decide on the presence of the beautiful or on its absence belong to the philosophy of art , that is to say to its metaphysics or ontology . The most striking of these objective conditions is that ...
... judgments which in each particular case decide on the presence of the beautiful or on its absence belong to the philosophy of art , that is to say to its metaphysics or ontology . The most striking of these objective conditions is that ...
Pagina 46
... judgments of beauty of the universality proper to judgments of truth . The ultimate reason for the difference is that truth is grasped by the intellect acting in its capacity as an immaterial power of knowing and abstracting from ...
... judgments of beauty of the universality proper to judgments of truth . The ultimate reason for the difference is that truth is grasped by the intellect acting in its capacity as an immaterial power of knowing and abstracting from ...
Pagina 88
... judgments . The works of other artists are per- ceived by them as a challenge , often as a threat , no less than as an object of pure contemplation . In short , the objects of those two classes of judgments are not the same . Whether we ...
... judgments . The works of other artists are per- ceived by them as a challenge , often as a threat , no less than as an object of pure contemplation . In short , the objects of those two classes of judgments are not the same . Whether we ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind modern musician nature never Nietzsche notion object ontology operations painter painting Paul Valéry perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark represent Saint sake sculpture seminal form sense sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valéry verse words worship write