The Dehumanization of Art: And Other Essays on Art, Culture, and LiteraturePrinceton University Press, 1968 - 204 pagine |
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Pagina 25
... derealize ; style involves de- humanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to abandon style . A Zurbarán ...
... derealize ; style involves de- humanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to abandon style . A Zurbarán ...
Pagina 38
... derealized them . For ideas are really unreal . To regard them as reality is an idealization , a candid falsification . On the other hand , making them live in their very un- reality is ― let us express it this way — realizing the un ...
... derealized them . For ideas are really unreal . To regard them as reality is an idealization , a candid falsification . On the other hand , making them live in their very un- reality is ― let us express it this way — realizing the un ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 1968 |
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima non disponibile - 2019 |
Parole e frasi comuni
abstract action adventures aesthetic animal appears artist authentic become begins body called canvas casuistry century character chiaroscuro classical consists contemplation contrary cornea cubism culture Debussy DEHUMANIZATION delight derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco entelechy essential everything existence expressionism fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ideas imaginary inner interest invent less light live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting passions person personages philosophy picture poet poetry point of view possess possible precisely present primitive progressivist proximate vision psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth Velásquez vital vocation Weimar words young youth