Meaning and Truth in the ArtsUniversity of North Carolina Press, 1946 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 224
... reality , and to leave it at that , is assuredly to emaciate art : for anything whatever may give a sense of reality , depending on the person and the condition in which he finds himself . To say that art gives us a sense of reality is ...
... reality , and to leave it at that , is assuredly to emaciate art : for anything whatever may give a sense of reality , depending on the person and the condition in which he finds himself . To say that art gives us a sense of reality is ...
Pagina 225
... reality " to see how they are using the term and whether their claims are justified . Writers on painting seem to be ... reality . . . . Time and subjective vision veil the true reality . . . . The great plastic art of the past has made ...
... reality " to see how they are using the term and whether their claims are justified . Writers on painting seem to be ... reality . . . . Time and subjective vision veil the true reality . . . . The great plastic art of the past has made ...
Pagina 231
... reality , " but that it rather con- veys or communicates an " attitude " or " state of soul " based upon experiences which were experiences of reality . As long as the attitude is all we get from the music , the " reality " can be ...
... reality , " but that it rather con- veys or communicates an " attitude " or " state of soul " based upon experiences which were experiences of reality . As long as the attitude is all we get from the music , the " reality " can be ...
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Parole e frasi comuni
actual already appear apply artist assertion association attitude beauty become certain certainly Chapter character colors common composition convention course critics defined definite described discussed distinction effect element emotions entirely essence esthetic evoke example existence experience expression fact feeling give given hand hear historical human illustration imaginative imitate important interest kind knowledge language least less listener literature material matter meaning medium merely mind namely nature never notes novel objects observations occur once painter painting particular perception person picture poem poet poetic poetry possible present Professor propositions pure question reality refer relation relevant represent representational require reveal seems seen sense significant simply situation sometimes sounds speak stand statements subject-matter suggest surface symbols term theme theory things tion true true-to truth universal usage vision whole words