The Arts of the BeautifulScribner, 1965 - 189 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 11
... colors . In short , Whistler resorted to composition in order to convey that mood , and composition is the most important element contributing to " the expressive quality of a painting . " » 2 Now , it would no doubt be a great ...
... colors . In short , Whistler resorted to composition in order to convey that mood , and composition is the most important element contributing to " the expressive quality of a painting . " » 2 Now , it would no doubt be a great ...
Pagina 67
... colors or sounds cannot symbolize feelings as well as the words which designate them . They do it even better , for the work of art , especially in poetry and music , can suggest emotions of a variety , fluidity and delicacy which words ...
... colors or sounds cannot symbolize feelings as well as the words which designate them . They do it even better , for the work of art , especially in poetry and music , can suggest emotions of a variety , fluidity and delicacy which words ...
Pagina 108
... - age painter was thinking , or even how he was thinking , but we do know that while he was painting a bull with colors expressly made for the purpose , he was not hunting , killing , carving or cooking the 108 THE ARTS OF THE BEAUTIFUL.
... - age painter was thinking , or even how he was thinking , but we do know that while he was painting a bull with colors expressly made for the purpose , he was not hunting , killing , carving or cooking the 108 THE ARTS OF THE BEAUTIFUL.
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind modern musician nature never Nietzsche notion object ontology operations painter painting Paul Valéry perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark Saint sake sculpture seminal form sense sensible qualities sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valéry verse words worship write