The Arts of the BeautifulScribner, 1965 - 189 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 25
... natural beauty when he creates nature , but the proper end of nature is not to be beautiful , so God creates no object whose proper end is to be beautiful . God creates no paintings , no symphonies - even the God - inspired Psalms are ...
... natural beauty when he creates nature , but the proper end of nature is not to be beautiful , so God creates no object whose proper end is to be beautiful . God creates no paintings , no symphonies - even the God - inspired Psalms are ...
Pagina 122
... nature was basically a revolt against nature itself , and since nature is given in specula- tive knowledge , the recent evolution of the fine arts expresses , on the part of man the maker , homo faber , a carefully thought - out ...
... nature was basically a revolt against nature itself , and since nature is given in specula- tive knowledge , the recent evolution of the fine arts expresses , on the part of man the maker , homo faber , a carefully thought - out ...
Pagina 130
... nature . From that moment on , it belonged to man to create nature and , therefore , to say what nature is . Contemporary atheistic humanism here re- veals both its most profound depths and the source of our great- est perils . For ...
... nature . From that moment on , it belonged to man to create nature and , therefore , to say what nature is . Contemporary atheistic humanism here re- veals both its most profound depths and the source of our great- est perils . For ...
Sommario
INTRODUCTION | 9 |
THE ARTS OF THE BEAUTIFUL | 17 |
COROLLARIES IN ESTHETICS | 35 |
Copyright | |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind modern musician nature never Nietzsche notion object ontology operations painter painting Paul Valéry perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark Saint sake sculpture seminal form sense sensible qualities sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valéry verse words worship write