The Arts of the Beautiful |
Dall'interno del libro
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Pagina 11
In painting that portrait , the chief concern of Whistler was not “ to paint a likeness
of his mother but to do something quite different . ” What was it ? According to
John Canaday : “ Its real subject is a mood , a mood compounded of gentleness ...
In painting that portrait , the chief concern of Whistler was not “ to paint a likeness
of his mother but to do something quite different . ” What was it ? According to
John Canaday : “ Its real subject is a mood , a mood compounded of gentleness ...
Pagina 163
The artist could not justify himself , as a religious artist , by saying that his painting
or sculpture was an excellent work of art . What he must turn out was a work of art
subservient to the ends of Christian worship . When in 1573 , at Venice , the ...
The artist could not justify himself , as a religious artist , by saying that his painting
or sculpture was an excellent work of art . What he must turn out was a work of art
subservient to the ends of Christian worship . When in 1573 , at Venice , the ...
Pagina 169
A picture painted on a panel , ” Aristotle says , “ is at once a picture and a
likeness : that is , while one and the same , it is both ... for instance this painting
and this statue ; second , inasmuch as it tends toward the image considered qua
image .
A picture painted on a panel , ” Aristotle says , “ is at once a picture and a
likeness : that is , while one and the same , it is both ... for instance this painting
and this statue ; second , inasmuch as it tends toward the image considered qua
image .
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Sommario
INTRODUCTION | 9 |
COROLLARIES IN ESTHETICS | 35 |
INTUITION EXPRESSION SYMBOLISM | 56 |
Copyright | |
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