The Arts of the Beautiful |
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Pagina 20
It is impossible to say with any degree of certainty what proportion of this creative
activity is spent with immediately practical goals in mind, and what proportion
answers disinterested purposes. We cannot exclude a priori the possibility that
very ...
It is impossible to say with any degree of certainty what proportion of this creative
activity is spent with immediately practical goals in mind, and what proportion
answers disinterested purposes. We cannot exclude a priori the possibility that
very ...
Pagina 21
A large part of man's making activity aims at producing objects answering
practical purposes. The useful is what serves a need. There is no opposition
between beauty and usefulness, for beauty may serve useful purposes (in a
sense it always ...
A large part of man's making activity aims at producing objects answering
practical purposes. The useful is what serves a need. There is no opposition
between beauty and usefulness, for beauty may serve useful purposes (in a
sense it always ...
Pagina 43
ART AND MORALITY The same remarks apply to the thorny practical problem of
the relations of art to morality. The only good that art as such has to pursue is the
perfection of the work. Its responsibility is no more to promote moral perfection, ...
ART AND MORALITY The same remarks apply to the thorny practical problem of
the relations of art to morality. The only good that art as such has to pursue is the
perfection of the work. Its responsibility is no more to promote moral perfection, ...
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Sommario
INTRODUCTION | 9 |
COROLLARIES IN ESTHETICS | 35 |
INTUITION EXPRESSION SYMBOLISM | 56 |
Copyright | |
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