Expressionism: A Revolution in German Art

abstract achieve active already applied areas Association background became Beckmann become began beginning Berlin Blaue Reiter blue bodies Brücke artists brush called circle collection colours composition continued contours contrasts created depicted dominated drawings Dresden early effect elements entire Ernst example exhibition experiences expression Expressionism Expressionist face figures formal further Gallery German give Grosz hand Heckel ideas important impressions influence interest Italy Jawlensky Kandinsky Kirchner Kokoschka landscapes later light lines living Ludwig Macke Marc means models motifs moved Mueller Munich Museum nature never Nolde nudes Oil on canvas painters paintings Paris particularly Pechstein person picture political portraits produced reflected regarded scenes Schmidt-Rottluff seems seen Self-Portrait shapes shows Street structure style stylistic surface theme tion took tried trip turned typical visited Woodcut