Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 77
John Hospers. already referred to something - just as it would not be justifiable for me to use the word " cat " to refer to any university building because the word already has a standard usage which is well understood ; such a ...
John Hospers. already referred to something - just as it would not be justifiable for me to use the word " cat " to refer to any university building because the word already has a standard usage which is well understood ; such a ...
Pagina 227
... already seen , the artist's insights are not private and incommunicable , but are ( potentially at least ) publicly experienceable . They are not , or rather they do not re- main , the private property of the artist . In this sense at ...
... already seen , the artist's insights are not private and incommunicable , but are ( potentially at least ) publicly experienceable . They are not , or rather they do not re- main , the private property of the artist . In this sense at ...
Pagina 231
... already been made in a pre- ceding chapter ; but if this is the substance of his remarks , then why these statements about " reality " ? All the further remarks which I could make with regard to Sullivan's contentions I could make much ...
... already been made in a pre- ceding chapter ; but if this is the substance of his remarks , then why these statements about " reality " ? All the further remarks which I could make with regard to Sullivan's contentions I could make much ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words