Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 120
... beauty is indefeasibly humanistic , not only properly but inescapably ideal , repre- sentative , expressive , and evocative which is another way of saying that it is inescapably related to that system of needs , interests , and ...
... beauty is indefeasibly humanistic , not only properly but inescapably ideal , repre- sentative , expressive , and evocative which is another way of saying that it is inescapably related to that system of needs , interests , and ...
Pagina 136
... beauty " and " beautiful , " to determine what ( if anything ) all these usages possess in common . But regardless of what the analysis of " beauty " may be , we can clarify its usage by making a distinction which has pervaded the ...
... beauty " and " beautiful , " to determine what ( if anything ) all these usages possess in common . But regardless of what the analysis of " beauty " may be , we can clarify its usage by making a distinction which has pervaded the ...
Pagina 137
... beauty lies chiefly in the thick dimension , it may be artistically great without having much formal or surface beauty ( Dostoyevsky , Van Gogh ) . The extent to which artistic greatness may be present without beauty in the thin sense ...
... beauty lies chiefly in the thick dimension , it may be artistically great without having much formal or surface beauty ( Dostoyevsky , Van Gogh ) . The extent to which artistic greatness may be present without beauty in the thin sense ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words