Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 41
... becomes less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination — it becomes ...
... becomes less and less , that which is imitated becomes less and less the " model " which is copied and more and more simply a stimulus to the artist or foundation from which the rest was built through his creative imagination — it becomes ...
Pagina 190
... become or will become the vision of everybody . Once the painter has seen it , it becomes easy for all of us to see it . A mould has been made . But the creative activity came in the effort which was necessary to disentangle this ...
... become or will become the vision of everybody . Once the painter has seen it , it becomes easy for all of us to see it . A mould has been made . But the creative activity came in the effort which was necessary to disentangle this ...
Pagina 217
... become like the man whose faith per- suaded the beasts of the field , yet without ceasing to be the stranger who ... becomes merely a label in the hands of a party , while Gorky is transferred into a weapon for the other party , then one ...
... become like the man whose faith per- suaded the beasts of the field , yet without ceasing to be the stranger who ... becomes merely a label in the hands of a party , while Gorky is transferred into a weapon for the other party , then one ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words