Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 93
... certainly say that it is not merely our verbal poverty which makes words so impotent to describe musical experiences . A million synonyms for " joy , " even if we knew exactly what they meant , would not suffice ; for , he would say ...
... certainly say that it is not merely our verbal poverty which makes words so impotent to describe musical experiences . A million synonyms for " joy , " even if we knew exactly what they meant , would not suffice ; for , he would say ...
Pagina 148
... certainly not the language of ordinary discourse . When we read what the court - reporter has transcribed , it seems flat and actually unreal , even though it may be painstakingly accurate . Realism must " change the reality " in order ...
... certainly not the language of ordinary discourse . When we read what the court - reporter has transcribed , it seems flat and actually unreal , even though it may be painstakingly accurate . Realism must " change the reality " in order ...
Pagina 173
... Certainly no one would deny , for example , that Rembrandt's late self - por- traits are true - to a universal or essence of human nature in pretty much the same way that a character in a drama or novel can be . The Aristotelian ...
... Certainly no one would deny , for example , that Rembrandt's late self - por- traits are true - to a universal or essence of human nature in pretty much the same way that a character in a drama or novel can be . The Aristotelian ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words