Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 96
... course , is the " sadness " in the Eroica like the sadness of Tschai- kovsky's Pathétique or Beethoven's Cavatina from the Opus 130 quartet ) . Even with this hypothetical wealth of synonyms for af- fective states , there would still be ...
... course , is the " sadness " in the Eroica like the sadness of Tschai- kovsky's Pathétique or Beethoven's Cavatina from the Opus 130 quartet ) . Even with this hypothetical wealth of synonyms for af- fective states , there would still be ...
Pagina 145
... course , is the only art which makes statements at all , and literature would then be the only art to which the notion of truth would apply . Without inquiring at the moment what truth con- sits in or what it is that makes a statement ...
... course , is the only art which makes statements at all , and literature would then be the only art to which the notion of truth would apply . Without inquiring at the moment what truth con- sits in or what it is that makes a statement ...
Pagina 166
... course of action fol- lowed through to completion . If art were to present all these , it would be cluttered with all kinds of irrelevant detail ; but poetry ( and Aristotle was speaking primarily of tragedy ) must retain its dramatic ...
... course of action fol- lowed through to completion . If art were to present all these , it would be cluttered with all kinds of irrelevant detail ; but poetry ( and Aristotle was speaking primarily of tragedy ) must retain its dramatic ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words