Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 17
... critic of a paint- ing depicting the Crucifixion , if he is a critic of painting and not of history or theology , certainly does not concern himself with criticism of the Crucifixion as a historical event ; but he is not thereby limited ...
... critic of a paint- ing depicting the Crucifixion , if he is a critic of painting and not of history or theology , certainly does not concern himself with criticism of the Crucifixion as a historical event ; but he is not thereby limited ...
Pagina 79
... criticism looks , " Gurney remarks , “ . we see how impossible it would be for a musician deliberately to work it up ... critics sometimes hardly understand the tenth part of what they talk about . Good heavens ! will the day ever come ...
... criticism looks , " Gurney remarks , “ . we see how impossible it would be for a musician deliberately to work it up ... critics sometimes hardly understand the tenth part of what they talk about . Good heavens ! will the day ever come ...
Pagina 217
... critic in question ) that some work which presents these " truths " of perception or characterization may not be ... critics ) to- ward its being a work of art . And in this respect it is unlike plain facts or literal ( propositional ) ...
... critic in question ) that some work which presents these " truths " of perception or characterization may not be ... critics ) to- ward its being a work of art . And in this respect it is unlike plain facts or literal ( propositional ) ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words