Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 173
... essence of human nature in pretty much the same way that a character in a drama or novel can be . The Aristotelian principle certainly seems capable of extension here . Photographic truth in painting , as in literature , is departed ...
... essence of human nature in pretty much the same way that a character in a drama or novel can be . The Aristotelian principle certainly seems capable of extension here . Photographic truth in painting , as in literature , is departed ...
Pagina 174
John Hospers. order to reveal the essence or universal . An obvious example of this , from sculpture , is the enlargement of the heads and shoulders of the Etruscan warriors ( in the Metropolitan Museum of Art ) in order to emphasize ...
John Hospers. order to reveal the essence or universal . An obvious example of this , from sculpture , is the enlargement of the heads and shoulders of the Etruscan warriors ( in the Metropolitan Museum of Art ) in order to emphasize ...
Pagina 203
... essence , enhances our imaginative vision , is true - to experience . Whether the poet has given us knowledge about the world is , as Professor James says , irrelevant ; it is the " truth " of the imaginative vision that matters . And ...
... essence , enhances our imaginative vision , is true - to experience . Whether the poet has given us knowledge about the world is , as Professor James says , irrelevant ; it is the " truth " of the imaginative vision that matters . And ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
5 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words