Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 216
... give us , be- cause the very fact that they give us these things ( the " essences " discussed in Chapter VI ) entitles them to be called artists . That is to say , a part at least of the criteria which most critics would adopt in ...
... give us , be- cause the very fact that they give us these things ( the " essences " discussed in Chapter VI ) entitles them to be called artists . That is to say , a part at least of the criteria which most critics would adopt in ...
Pagina 235
... give us that . When the arts give us knowledge , they do so only inci- dentally ; but the enrichment of our perceptions , the deepening of our affective life , this is by no means incidental . But Erkenntnis is the task of the special ...
... give us that . When the arts give us knowledge , they do so only inci- dentally ; but the enrichment of our perceptions , the deepening of our affective life , this is by no means incidental . But Erkenntnis is the task of the special ...
Pagina 238
... gives it , might not help to give humanity the largeness of spirit and breadth of vision which alone can enable us to survive ? 31. Ernest Nagel , review of Langer , Philosophy in a New Key , in Journal of Philosophy , XL , No. 12 ...
... gives it , might not help to give humanity the largeness of spirit and breadth of vision which alone can enable us to survive ? 31. Ernest Nagel , review of Langer , Philosophy in a New Key , in Journal of Philosophy , XL , No. 12 ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
5 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words