Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 76
... given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the users of our language ...
... given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the users of our language ...
Pagina 181
... given - in - experience " when there are no words for the " given - in- experience . " So the poet must bend and distort words all out of their normal context in order to communicate some aspect of the given through this recalcitrant ...
... given - in - experience " when there are no words for the " given - in- experience . " So the poet must bend and distort words all out of their normal context in order to communicate some aspect of the given through this recalcitrant ...
Pagina 197
... given to us through the senses , but is an imaginative construction out of these given materials . All that is strictly given is sense - data , but what we really see are wholes , unities , objects ; all that is given is a number of ...
... given to us through the senses , but is an imaginative construction out of these given materials . All that is strictly given is sense - data , but what we really see are wholes , unities , objects ; all that is given is a number of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words