Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
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Pagina
... Literary Mind by Max Eastman , with the permission of Charles Scribner's Sons , copyright , 1931 , by Charles Scribner's Sons , Reason in Art by George Santayana , with the permission of Charles Scribner's Sons , copyright , 1905 , 1933 ...
... Literary Mind by Max Eastman , with the permission of Charles Scribner's Sons , copyright , 1931 , by Charles Scribner's Sons , Reason in Art by George Santayana , with the permission of Charles Scribner's Sons , copyright , 1905 , 1933 ...
Pagina 155
... Literary Mind showing that with the rapid march of science in modern times , " poetic truth " is rapidly being squeezed out , never to return . Science , says Mr. Eastman , finds out what is true and what is false about the empirical ...
... Literary Mind showing that with the rapid march of science in modern times , " poetic truth " is rapidly being squeezed out , never to return . Science , says Mr. Eastman , finds out what is true and what is false about the empirical ...
Pagina 156
... literary truth , " a fair operation of that faculty which Emerson , like other men of letters in the nineteenth century , called " intellect " in conscious opposition to the activities of the mind in science.20 The realm of " literary ...
... literary truth , " a fair operation of that faculty which Emerson , like other men of letters in the nineteenth century , called " intellect " in conscious opposition to the activities of the mind in science.20 The realm of " literary ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words