Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 74
John Hospers. 4 Meaning I quote WHEN WE STATE THE meaning of a word or phrase , we are stating what the word refers to , what it has come by convention to stand for . This is doubtless the main sense in which the word " meaning " is used ...
John Hospers. 4 Meaning I quote WHEN WE STATE THE meaning of a word or phrase , we are stating what the word refers to , what it has come by convention to stand for . This is doubtless the main sense in which the word " meaning " is used ...
Pagina 75
... meaning of this word ? ” and “ What is the meaning of this composition ? " look similar and seem like the same kind of question - not realizing that underneath the simi- larity of appearance , the meaning ( reference ) of the word ...
... meaning of this word ? ” and “ What is the meaning of this composition ? " look similar and seem like the same kind of question - not realizing that underneath the simi- larity of appearance , the meaning ( reference ) of the word ...
Pagina 76
... meaning until it is given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the ...
... meaning until it is given meaning by someone ; lacking this , it is simply a row of marks on paper or uttered sounds . Most of the words in our language have been given meanings long ago , and this meaning has been agreed upon by the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words