Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 105
... once arouses a number of complex ideas about which the intel- lect and feelings may occupy themselves . " 50 But when we see esthetically , we see something quite different : Let us now take for our spectator a person highly endowed ...
... once arouses a number of complex ideas about which the intel- lect and feelings may occupy themselves . " 50 But when we see esthetically , we see something quite different : Let us now take for our spectator a person highly endowed ...
Pagina 112
... once we have learned it , once we have grasped the insight , every repeti- tion of the experience is likely to be less strong . 63 61. Ibid . , pp . 321-22 . Vide also Walter Abell , Representation and Form . 62. Kenneth Burke , Counter ...
... once we have learned it , once we have grasped the insight , every repeti- tion of the experience is likely to be less strong . 63 61. Ibid . , pp . 321-22 . Vide also Walter Abell , Representation and Form . 62. Kenneth Burke , Counter ...
Pagina 190
... once expressed we recognize it as true . His vision then be- comes everybody's . " 1 The artist's vision , when communicated to 41. Hulme , Speculations , p . 149. This passage follows : " Great painters are men in whom has originated a ...
... once expressed we recognize it as true . His vision then be- comes everybody's . " 1 The artist's vision , when communicated to 41. Hulme , Speculations , p . 149. This passage follows : " Great painters are men in whom has originated a ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words