Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 7
... person to be the ontological and epistemological starting point of philosophical reflection . Personalist philosoph- ical reflection is a metaphysical investigation into the constitution , status , and dignity of the human being as person ...
... person to be the ontological and epistemological starting point of philosophical reflection . Personalist philosoph- ical reflection is a metaphysical investigation into the constitution , status , and dignity of the human being as person ...
Pagina 7
... Person My main interest is in philosophers whose concept of the human person has been employed in bioethics. I'll start with Singer, who when explaining his utilitarian views, speaks of ... Persons 7 1.2 Contemporary Concept of Person.
... Person My main interest is in philosophers whose concept of the human person has been employed in bioethics. I'll start with Singer, who when explaining his utilitarian views, speaks of ... Persons 7 1.2 Contemporary Concept of Person.
Pagina 204
... persons in relationship. Question 4: Doesn't person-centred counselling, with its heavy emphasis on the experience of the individual, ignore social and political issues and thus reinforce the status quo? This is a tremendous question ...
... persons in relationship. Question 4: Doesn't person-centred counselling, with its heavy emphasis on the experience of the individual, ignore social and political issues and thus reinforce the status quo? This is a tremendous question ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words