Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 127
... poet had in mind while he was writing . I do not think it is necessary to discuss just how much emphasis should be placed on each factor in poetic effects . Mr. Richards as- signs most of the poetic " meaning " to the emotion - evoking ...
... poet had in mind while he was writing . I do not think it is necessary to discuss just how much emphasis should be placed on each factor in poetic effects . Mr. Richards as- signs most of the poetic " meaning " to the emotion - evoking ...
Pagina 181
... poet . That is , the words act as an objective correlative of the poetic vision ; the latter cannot be transferred bodily from one mind to another , but the communication may be effected by means of this objective correlative , the ...
... poet . That is , the words act as an objective correlative of the poetic vision ; the latter cannot be transferred bodily from one mind to another , but the communication may be effected by means of this objective correlative , the ...
Pagina 216
... poet's philosophy , even that philosophy which appears in his work , qualify him to a position as a poet ? Is his ... poetic faith " ; if the poet is great enough to create , by means of his philosophy or his story , a signifi- cant ...
... poet's philosophy , even that philosophy which appears in his work , qualify him to a position as a poet ? Is his ... poetic faith " ; if the poet is great enough to create , by means of his philosophy or his story , a signifi- cant ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words