Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina 35
... simply as con- ventions ; we say , " What's the connection between that set of sounds and Siegfried ? Wouldn't another have done better ? I don't see any connection between them . Why is this motif more appropriate than that ? " We look ...
... simply as con- ventions ; we say , " What's the connection between that set of sounds and Siegfried ? Wouldn't another have done better ? I don't see any connection between them . Why is this motif more appropriate than that ? " We look ...
Pagina 87
... simply of patterns as though Bach at his most formal was ever less than sound- ing , moving , rhythmic , thrilling , acting upon the muscles and the breath and the blood.27 On the one hand the " pure " listener may possess on the margin ...
... simply of patterns as though Bach at his most formal was ever less than sound- ing , moving , rhythmic , thrilling , acting upon the muscles and the breath and the blood.27 On the one hand the " pure " listener may possess on the margin ...
Pagina 109
... simply to " illustrate " a program ( as in the case of Beethoven's Battle Symphony ) ; the thick esthetic values are , so to speak , " fused " with the thin . Similarly in painting , when a painting simply depends on its subject ...
... simply to " illustrate " a program ( as in the case of Beethoven's Battle Symphony ) ; the thick esthetic values are , so to speak , " fused " with the thin . Similarly in painting , when a painting simply depends on its subject ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words