Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 55
... theory be defended ? Nimbus clouds are natural symbols of rain ; they would not be such if rain did not actually follow the appearance of such clouds in some cause - and - effect relation . But would the defenders of the natural ...
... theory be defended ? Nimbus clouds are natural symbols of rain ; they would not be such if rain did not actually follow the appearance of such clouds in some cause - and - effect relation . But would the defenders of the natural ...
Pagina 196
... theory of poetry ( in English , at any rate ) as a product of the imagination is that of Coleridge , which in turn stems from Kant in many of its aspects . In our own century the chief theory of poetry as imagination is probably that of ...
... theory of poetry ( in English , at any rate ) as a product of the imagination is that of Coleridge , which in turn stems from Kant in many of its aspects . In our own century the chief theory of poetry as imagination is probably that of ...
Pagina 228
... theory of how we came to know anything , but rather a theory about the nature of the world , usually with " all is matter " or some such maxim as its fundamental postulate . Presumably we could come to know that " all is matter " by ...
... theory of how we came to know anything , but rather a theory about the nature of the world , usually with " all is matter " or some such maxim as its fundamental postulate . Presumably we could come to know that " all is matter " by ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words