Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 185
... things . This point is brought out in a very remarkable manner by Roger Fry : The needs of our actual life are so imperative , that the sense of vision becomes highly specialized in their service . With an admirable economy we learn to ...
... things . This point is brought out in a very remarkable manner by Roger Fry : The needs of our actual life are so imperative , that the sense of vision becomes highly specialized in their service . With an admirable economy we learn to ...
Pagina 190
... things , or at any rate painted them , in that particular way . This makes it easier to see clearly what one means by an individual way of looking at things . It does not mean something which is peculiar to an individual , for in that ...
... things , or at any rate painted them , in that particular way . This makes it easier to see clearly what one means by an individual way of looking at things . It does not mean something which is peculiar to an individual , for in that ...
Pagina 225
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance , the thing in itself , the ultimate reality . And if a more or less unconscious ...
... thing that I am talking about is that which lies behind the appearance of all things - that which gives to all things their individual significance , the thing in itself , the ultimate reality . And if a more or less unconscious ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words