Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 181
... vision or essence , but he must also be such a master of words that he can communicate his vision through this highly resistant medium . In this connection we may touch upon a point which has been mentioned once before : Language ...
... vision or essence , but he must also be such a master of words that he can communicate his vision through this highly resistant medium . In this connection we may touch upon a point which has been mentioned once before : Language ...
Pagina 190
... vision then be- comes everybody's . " 1 The artist's vision , when communicated to 41. Hulme , Speculations , p . 149. This passage follows : " Great painters are men in whom has originated a certain vision of things which has become or ...
... vision then be- comes everybody's . " 1 The artist's vision , when communicated to 41. Hulme , Speculations , p . 149. This passage follows : " Great painters are men in whom has originated a certain vision of things which has become or ...
Pagina 193
... vision , his own interpretation , the way he sees things . But certainly this is not sufficient . For to say that an artist is true - to his own vision is to say no more or less than that he is sincere , that he puts down what he feels ...
... vision , his own interpretation , the way he sees things . But certainly this is not sufficient . For to say that an artist is true - to his own vision is to say no more or less than that he is sincere , that he puts down what he feels ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid imaginative imitate important irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person Philosophy plastic poem poet poetic poetry present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme theory things tion true true-to truth usage vision visual words