Lacquer: Technology and ConservationButterworth-Heinemann, 13 apr 2000 - 182 pagine For the conservator this book is an invaluable tool when examining the options available for treatment of lacquer. Not only does it cover the technology and methods of treatment for both types of lacquer, but it assesses current practices enabling the conservator to make more informed decisions. Controversial issues are also debated, such as whether Asian lacquer should be restored in the Asian manner, using non-reversible materials, or using western methods that are theoretically reversible. As the book describes production technology and decorative techniques it will also be a useful aid for both art historians and collectors alike in identifying and dating lacquerware. For the conservator this book is an invaluable tool when examining the options available for treatment. Not only does it cover the technology and methods of treatment for both types of lacquer, but it assesses current practices enabling the conservator to make more informed decisions. Controversial issues are discussed such as whether Asian lacquer should be restored in the Asian manner, using non-reversible materials, or using western methods that are theoretically reversible. As the book describes production technology and decorative techniques it will also prove to be a useful aid for both art historians and collectors alike in identifying and dating lacquerware. Lacquer has long been misunderstood, particularly because the word itself has been used to characterize many different materials. For centuries the term has been used to refer to the Asian and the European materials. At present it is used to describe any glossy coating, from cellulose nitrate to modern plastic finishes. * Assesses current practices, enabling conservators to make informed decisions * Includes new information on appearance of stress cracking and effect of light degradation * Covers both Asian and European lacquer for a comprehensive overview |
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abrasive acrylic Acryloid B72 adhesive animal glue appearance applied Asian lacquer blue cabinet carved cause Chinese cleaning colour consolidant copal corrosion cracks damage decoration degradation deterioration dissolved dried eighteenth century elemi exposed fill film finish flakes gesso gilding gloss gold grain ground coating ground layers imitate inlays inpainting Institute for Conservation japanned objects japanned surface lacquer surface lacquerware layers of lacquer layers of varnish light losses makie materials metal powders method mineral spirits mixture mother of pearl nashiji natural resins nineteenth century oil varnishes oleoresinous painting panel paper papier mâché pieces pigment polishing poly(vinyl alcohol Postprints produced raised areas raw lacquer recipe relative humidity removed repair resin Robert Dossie Royal Ontario Museum sandarac seedlac seen in Figure shellac silver smooth soluble solvents spirit varnishes Stalker and Parker substrate techniques tion tray tree turpentine urushi urushiol varnish Watin white japan wood wooden yellow