Aesthetic as Science of Expression and General LinguisticNoonday Press, 1956 - 503 pagine Historical intellectualism has been the cause of the many researches which have been made, especially during the last two centuries, researches which continue to-day, for a philosophy of history, for an ideal history, for a sociology, for a historical psychology, or however may be otherwise entitled or described a science whose object is to extract from history, universal laws and concepts. Of what kind must be these laws, these universals? Historical laws and historical concepts? In that case, an elementary criticism of knowledge suffices to make clear the absurdity of the attempt. |
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Pagina 249
... cognitive being , is impelled to enlarge the sphere of his cognitions and impart his discoveries to his fellows , while as a sensitive being he is impelled to represent and communicate his sensations ; whence arise science and art . But ...
... cognitive being , is impelled to enlarge the sphere of his cognitions and impart his discoveries to his fellows , while as a sensitive being he is impelled to represent and communicate his sensations ; whence arise science and art . But ...
Pagina 282
... cognitive and yet not cognitive , moral and indifferent to morality , pleasing yet wholly detached from the pleasure of the senses . Great use of this power was made by Kant's immediate successors in Germany who were delighted to find ...
... cognitive and yet not cognitive , moral and indifferent to morality , pleasing yet wholly detached from the pleasure of the senses . Great use of this power was made by Kant's immediate successors in Germany who were delighted to find ...
Pagina 287
... cognitive activity , in which he is able to see the logical or intellectual form , but not that of the imagination . What for him was this art he describes as an activity neither formal nor material , neither cognitive nor moral ? Was ...
... cognitive activity , in which he is able to see the logical or intellectual form , but not that of the imagination . What for him was this art he describes as an activity neither formal nor material , neither cognitive nor moral ? Was ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1978 |
Parole e frasi comuni
able abstract according action activity æsthetic already altogether appear arises artistic attempt beautiful become body called character clear colours complete concept confused consists Criticism definition determine distinction distinguished doctrine economic effect empirical error Esthetic example exist expression external fact faculty feeling genius give given hand human ideal ideas imagination imitation impossible impressions individual intellectual intuition Italy judgement kinds knowledge language laws less limits Linguistic literary logical looked material matter means merely moral nature never notes object observations origin particular perfect philosophy physical pleasure poet Poetics poetry possess possible practical present problem produced pure question reality reason recognize relation remain represent representation reproduction scientific sense side simple sometimes soul speak spirit taste theoretic theory things thought tion true truth ugly understood universal various writers